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Hayeon Park Piano Recital
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‣ ÈÄ ¿ø : À̽ºÆ®¸¸ À½¾Ç´ëÇÐ, ¹Ì½Ã°Ç À½¾Ç´ëÇÐ, Àϸ®³ëÀÌ À½¾Ç´ëÇÐ µ¿¹®È¸, the pianissimo À½¾Ç¿¹¼úÇÐȸ
‣ ±Ý ¾× : Àü¼® 30,000¿ø(ÇлýÇÒÀÎ 50%)
‣ ¿¹ ¸Å : ÀÎÅÍÆÄÅ© 1544-1555 ticket.interpark.com
‣ ¹® ÀÇ : À½¾Ç±³À°½Å¹® 02-549-4133, 1131 www.musiced.co.kr
❚PROFILE
Pianist ¹ÚÇÏ¿¬
¼¶¼¼ÇÏ°í ¼¼·ÃµÈ À½¾Ç¼ºÀ» °âºñÇÑ ÇǾƴϽºÆ® ¹ÚÇÏ¿¬Àº ¹Ì±¹ ¾ÆÀ̵ô¿ÍÀÏµå ¿¹¼ú°íµîÇб³(Idyllwild Arts Academy)¸¦ °ÅÃÄ ¹Ì±¹ À̽ºÆ®¸¸ À½´ë(Eastman School of Music) ÇÇ¾Æ³ë ¿¬ÁÖ ¹× ¹®ÇåÇÐ Çлç(B. M. in Piano Performance and Literature), ¹Ì½Ã°Ç À½´ë(University of Michigan School of Music, Theatre & Dance) ¼®»ç(M. M. in Piano Performance)¸¦ Á¹¾÷ÇÑ ÈÄ Àϸ®³ëÀÌ À½´ë(University of lllinois at Urbana-Champaign)¿¡¼ ÇÇ¾Æ³ë ¿¬ÁÖ ¹× ¹®ÇåÇÐ ¹Ú»çÇÐÀ§(D. M. A. in Piano Performance and Literature)¸¦ ÃëµæÇÔÀ¸·Î½á Àü¹®¿¬ÁÖÀÚÀÇ ±â¹ÝÀ» ¸¶·ÃÇÏ¿´´Ù.
ÀÏÂïÀÌ Àü±¹ÇлýÇǾƳë ÀåÇÐÄáÄð´ëȸ ÃÖ¿ì¼ö»ó ¹× ¾ÆÀ̵ô¿ÍÀÏµå ¿¹¼ú°íµîÇб³ ÇǾƳë ÃÖ¿ì¼ö»ó(Music Certificate for Outstanding Piano Performance)À» ¼ö»óÇϸç À½¾ÇÀû µÎ°¢À» ³ªÅ¸³½ ±×³à´Â À̽ºÆ®¸¸ ÇÏ¿öµå ÇÚ½¼ ÀåÇбÝ(Howard Hanson Scholarship), Àϸ®³ëÀÌ À½´ë ±×·ìÇÇ¾Æ³ë °»ç(Teaching Assistantship)ÀåÇбÝ, Àϸ®³ëÀÌ À½´ë FAA ¼ºÀû¿ì¼ö ¿ìµîÀåÇбÝÀ» ¼öÇýÇϸç À½¾Ç¼ºÀ» ÀÎÁ¤¹Þ¾Ò´Ù.
¹Ì±¹ À̽ºÆ®¸¸ À½´ë ÁÖÃÖ À¯´ëÀÎ ¿ä¾ç¿ø ÇÇ¾Æ³ë ½Ã¸®Áî ¿¬ÁÖ <Piano Series at the Summit>, ij³ª´Ù Åä·ÐÅä ´ëÇÐ <Emerging Artists Recital> ¿¬ÁÖ ¹× ÀÌÅ»¸®¾Æ Schlern International Music Festival ±¹Á¦À½¾ÇÄ·ÇÁ ¿¬ÁÖ·Î ¼Ö¸®½ºÆ®·Î¼ÀÇ ÀÚÁúÀ» º¸¿©ÁØ ±×³à´Â ¹Ì±¹ ¹Ì½Ã°Ç ´ëÇк´¿ø ³» <A Classical Music Recital> MTNA ÀÚ¼± À½¾Çȸ ¿¬ÁÖ, ¹Ì±¹ Àϸ®³ëÀÌ À½´ë ¹Ú»ç ³í¹® <¾Æ³ªÅ縮 ¸®¾ÆµµºêÀÇ ÇǾƳë ÀÛÇ° Ž±¸(Anatoly K. Lyadov: Revisiting the Neglected Piano Works)> ·ºÃÄ ¸®»çÀÌƲ ¹× µ¶ÁÖȸ¸¦ ¼º°øÀûÀ¸·Î ¸¶Ä¡¸ç °ü°´°ú Æò´ÜÀÇ È£ÆòÀ» ¹Þ¾Ò´Ù. ¶ÇÇÑ ½Ç³»¾Ç¿¡µµ ¾ÖÁ¤À» °¡Áö°í ÀÖ´Â ±×³à´Â <Mad About Chamber Music> ½Ç³»¾Ç ¿¬ÁÖ, <The Eastman Experience> ÇÇ¾Æ³ë µà¿À Çö´ë°î ÃÊ¿¬ µî ´Ùä·Î¿î ·¹ÆÛÅ丮¸¦ ¼±º¸¿´´Ù.
ÀÌ¿Ü¿¡µµ ÇѼº¹éÁ¦¹Ú¹°°ü <»ç°è>, Çѱ¹¿µÈ 100Áֳ⠱â³ä À½¾Çȸ, ¾ÆÀ̵ô¿ÍÀÏµå ¿¹¼ú°íµîÇб³ µ¿¹® °ø¿¬, Á¦13ȸ Àϸ®³ëÀÌ À½´ë µ¿¹® À½¾Çȸ <»ç¶ûÀÇ ¾Ç±â º¸³»±â>, Æ®¸®¿À ·ç´Ù(Trio Luda) ÇÇ¾Æ³ë µà¿À ¸®»çÀÌƲ, ¿À¼Ò¶ó ¹ÚÇÏ¿¬ ÇÇ¾Æ³ë µà¿À ¸®»çÀÌƲ, ¸ðÂ÷¸£Æ® ¼°Å 230ÁÖ³â Ã߸ðÀ½¾Çȸ, ±Í±¹ µ¶ÁÖȸ µî ´Ù¾çÇÑ ¿¬ÁÖÈ°µ¿À» ÅëÇØ ±×³àÀÇ À½¾Ç¼¼°è¸¦ °ü°´°ú ÇÔ²² ÆîÃijª°¡°í ÀÖ´Ù.
Ƽ¸ð½Ã ¿¤¸°(Timothy Eheln), ¾Æ¼ ±×¸°(Arthur Greene), ·¹º£Ä« Æä´ÏÁî(Rebecca Pemmeys)¸¦ »ç»çÇÑ ÇǾƴϽºÆ® ¹ÚÇÏ¿¬Àº Àϸ®³ëÀÌ À½´ë ±×·ìÇÇ¾Æ³ë ¹× ÇǾƳë ÇÁ·Î±×·¥(Piano Laboratory Program) °»ç, Àϸ®³ëÀÌ À½´ë ISYM(lllinois Summer Youth Music) û¼Ò³â ¿©¸§À½¾ÇÄ·ÇÁ ±×·ìÇÇ¾Æ³ë °»ç¸¦ ¿ªÀÓÇÏ¿´À» »Ó¸¸ ¾Æ´Ï¶ó Àü¹ÌÀ½¾Ç±³»çÇùȸ(MTNA) Àϸ®³ëÀÌ À½´ë ȸÀåÀ» ¿ªÀÓÇÏ¿´´Ù. ±Í±¹ ÈÄ ±×³à´Â ÇöÀç ±¹¸³°¸ª¿øÁÖ´ëÇб³¿Í °í¾ç¿¹¼ú°íµîÇб³¿¡ Ãâ°ÁßÀ̸ç, °¿øÇǾƳëµà¿ÀÇùȸ¿Í The Pianissimo À½¾Ç¿¹¼úÇÐȸ ¿¬Áֺаú ÀÓ¿øÀ¸·Î ¿¬ÁÖÈ°µ¿À» À̾°í ÀÖ´Ù.
❚PROGRAM
W. A. Mozart (1756-1791)
ÇÇ¾Æ³ë ¼Ò³ªÅ¸ 12¹ø, FÀåÁ¶, ÀÛÇ°¹øÈ£ K. 332¹ø
Piano Sonata No. 12 in F Major, K. 332
¥°. Allegro
¥±. Adagio
¥². Allegro assai
F. Liszt (1811-1886)
ÇÇ¾Æ³ë ¼ÒÇ° <¼ø·ÊÀÇ ÇØ> Á¦2±Ç ÀÌÅ»¸®¾Æ: º£³×Ä¡¾Æ¿Í ³ªÆú¸® Áß 3¹ø ¡®Å¸¶õÅÚ¶ó¡¯
¡®Tarantella¡¯ from années de Pèlerinage Book2 : Venezia e Napoli
Intermission
R. Schumann (1810-1856)
ÇÇ¾Æ³ë ¼Ò³ªÅ¸ 2¹ø, g´ÜÁ¶
Piano Sonata No. 2 in g minor, Op. 22
¥°. So rasch wie möglich(¡®As quickly as possible¡¯)
¥±. Andantino. Getragen(Solemm, dignified)
¥². Scherzo. Sehr rasch und makiert(Very quick and marked)
¥³. Rondo. Presto possible, Prestissimo, quasi cadenza
S. Prokofiev (1891-1953)
ÇÇ¾Æ³ë ¼Ò³ªÅ¸ 3¹ø
Piano Sonata No. 3 in a minor, Op. 28
Allegro tempestoso – Moderato – Allegro tempestoso – Moderato – Più lento – Più animato – Allegro I – Poco Più mosso
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